
By Kipp Pietrantonio
Enter the Japanese Schoolgirl.
She is weak, innocent, often unaware, and generally displayed in a surprised or weak position. She is basically a child, with giant breasts and a love hate relationship with sex. At first she doesn’t want the giant tentacle, but as soon as “it” happens, then she loves it. The power dynamics at work here are insanely explicit and often blur the line between snuff film, entertainment, and art. (more…)

